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Carmen Laforet, Nada——WEEK5

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This week I read Carmen Laforet's work Nada, and here are some of my post-reading feelings. 

Through this week's reading of Nada, I learned about the desolate landscape of post-war Barcelona. Through the subjective and objective perspective of the protagonist, the author takes the protagonist's family as the main object of description, creating a microcosm of the miserable post-war society at that time. The author's expression is very delicate. The article contains a lot of reports of the scenery, which highlights the eerie atmosphere of the family and shows the protagonist's rejection and fear of living here. The words of the article are straightforward, but the emotions revealed are meticulous and accurate. It's easier to understand how the author feels and how things have gone.

The protagonist comes to Barcelona to complete her studies and seeks refuge from her relatives. Still, when she lives here, she gradually gets to know everyone who lives in the family and the unusual relationships between relatives. During the time she lived here, every day she spent seemed painful and unbearable, and the family members seemed to be ghosts lacking the vitality of life under her description. As a bystander, she observes the family's disputes, the old grandmother, the terrible aunt, the grumpy uncle, and the aunt. She is entangled with her husband's brother. The constant torture of the family makes the house's atmosphere very depressing. Her campus life is not as good as imagined. However, she met a good friend, just the exchange on campus it difficult to dispel the loneliness in her heart. The relationship with a boy also ended without beginning because of his family conditions. Fortunately, In the end, Andrea had the opportunity to leave the city that had tormented her and embark on a new journey.

As I read this book, I also searched the context of the times. I can see that Bartholome was very depressed after the war. Most of the literary works advocated the existence of women in the family. The protagonist of Nada observes the flaws of this family model from the perspective of a bystander; she describes the involuntary nature of women living in such a family. This straightforward reality may awaken many women who have suffered in the family, making them aware of their situation. The protagonist's courage to embark on a new path to pursue their dreams also gave people the courage to pursue their true selves.

My question for this article is: Do you think the friendship between the protagonist and his popular college classmate is equal? It looked as if she was in a state of escort.


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Posted in: Blogs, Laforet
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Carmen Laforet, Nada——WEEK5

Posted by: feedwordpress


This week I read Carmen Laforet's work Nada, and here are some of my post-reading feelings. 

Through this week's reading of Nada, I learned about the desolate landscape of post-war Barcelona. Through the subjective and objective perspective of the protagonist, the author takes the protagonist's family as the main object of description, creating a microcosm of the miserable post-war society at that time. The author's expression is very delicate. The article contains a lot of reports of the scenery, which highlights the eerie atmosphere of the family and shows the protagonist's rejection and fear of living here. The words of the article are straightforward, but the emotions revealed are meticulous and accurate. It's easier to understand how the author feels and how things have gone.

The protagonist comes to Barcelona to complete her studies and seeks refuge from her relatives. Still, when she lives here, she gradually gets to know everyone who lives in the family and the unusual relationships between relatives. During the time she lived here, every day she spent seemed painful and unbearable, and the family members seemed to be ghosts lacking the vitality of life under her description. As a bystander, she observes the family's disputes, the old grandmother, the terrible aunt, the grumpy uncle, and the aunt. She is entangled with her husband's brother. The constant torture of the family makes the house's atmosphere very depressing. Her campus life is not as good as imagined. However, she met a good friend, just the exchange on campus it difficult to dispel the loneliness in her heart. The relationship with a boy also ended without beginning because of his family conditions. Fortunately, In the end, Andrea had the opportunity to leave the city that had tormented her and embark on a new journey.

As I read this book, I also searched the context of the times. I can see that Bartholome was very depressed after the war. Most of the literary works advocated the existence of women in the family. The protagonist of Nada observes the flaws of this family model from the perspective of a bystander; she describes the involuntary nature of women living in such a family. This straightforward reality may awaken many women who have suffered in the family, making them aware of their situation. The protagonist's courage to embark on a new path to pursue their dreams also gave people the courage to pursue their true selves.

My question for this article is: Do you think the friendship between the protagonist and his popular college classmate is equal? It looked as if she was in a state of escort.


read full post >>
Posted in: Blogs, Laforet
Tagged with:

Carmen Laforet, Nada——WEEK5

Posted by: feedwordpress


This week I read Carmen Laforet's work Nada, and here are some of my post-reading feelings. 

Through this week's reading of Nada, I learned about the desolate landscape of post-war Barcelona. Through the subjective and objective perspective of the protagonist, the author takes the protagonist's family as the main object of description, creating a microcosm of the miserable post-war society at that time. The author's expression is very delicate. The article contains a lot of reports of the scenery, which highlights the eerie atmosphere of the family and shows the protagonist's rejection and fear of living here. The words of the article are straightforward, but the emotions revealed are meticulous and accurate. It's easier to understand how the author feels and how things have gone.

The protagonist comes to Barcelona to complete her studies and seeks refuge from her relatives. Still, when she lives here, she gradually gets to know everyone who lives in the family and the unusual relationships between relatives. During the time she lived here, every day she spent seemed painful and unbearable, and the family members seemed to be ghosts lacking the vitality of life under her description. As a bystander, she observes the family's disputes, the old grandmother, the terrible aunt, the grumpy uncle, and the aunt. She is entangled with her husband's brother. The constant torture of the family makes the house's atmosphere very depressing. Her campus life is not as good as imagined. However, she met a good friend, just the exchange on campus it difficult to dispel the loneliness in her heart. The relationship with a boy also ended without beginning because of his family conditions. Fortunately, In the end, Andrea had the opportunity to leave the city that had tormented her and embark on a new journey.

As I read this book, I also searched the context of the times. I can see that Bartholome was very depressed after the war. Most of the literary works advocated the existence of women in the family. The protagonist of Nada observes the flaws of this family model from the perspective of a bystander; she describes the involuntary nature of women living in such a family. This straightforward reality may awaken many women who have suffered in the family, making them aware of their situation. The protagonist's courage to embark on a new path to pursue their dreams also gave people the courage to pursue their true selves.


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Week 5 – Moravia’s “Agostino”

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This novella was a rollercoaster ride, to say the least. I will first note that I used this site https://booksvooks.com/agostino-pdf-alberto-moravia.html to access the missing pages if anyone is looking for another copy. Now, to the novel. There seems to be a bit of an oedipus complex in both this book, and Swann’s, though Agostino is […] read full post >>
Posted in: Blogs, Moravia

Never Growing Up and the Influence of Peers- Agostino

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 Agostino is a kid who never really grows up. In the beginning, I thought that Agostino was around the ages of 10-11 years old. I could picture this from how he envisioned his mother, so blessed by her presence and in awe of her beauty. He loved her like a child. He also was treated like a young child by his mother too, and the way he complained about her attention towards him and his jealousy made me think he was much younger than he actually was. Later in the book, we learn that he is 13 years old when he tells the man and his son on the boat ride. This book shows how much others' influence has on you. In the beginning, Agostino was a young, innocent, well-behaved boy who enjoyed his mother's company. After encountering the young boatman who "stole" his mother away from him, feelings of hatred, disgust, and jealousy arose within him. He could not fathom the idea of having to share his mother, especially let this man enjoy and indulge in her beauty that was only admired by him before in his mind. The young boys he met at a further down beach on his vacation changed his thoughts about women forever and himself. Agostino had no idea of his mother's relations, he saw her as a pure angel, and these boys crushed this image he looked up to instantly. Although his age or older, the boys knew more about women, power, and lustfulness. Agostino was still in his innocent age. He had not heard or even ever explored the ideas of these topics, which made his mind start to spin. These feelings confused with the image he had of his mother beforehand. He now saw her as a pleasure and a woman, not his mother. This shows us how Agostino has not grown up or matured even after learning about these "maturing" subjects. He cannot differentiate between the two and lets his feelings take over his actions he would have once considered inappropriate or looked down upon. The text shows us how unaccountable he is when he gives all his money away to his friend and is cheated by him. He put his trust into a boy he still barely knew and just accepted his words for truth without questioning anything. This once again proves that Agostino is still young and, although not as innocent, he is immature. 

My question I have after reading this text is...

Do you think if Agostino never met the boy in the cabin who brought him into the gang, that he would still have this innocence and see his mother for her motherhood and not a lustful woman? 



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Posted in: Blogs

Never Growing Up and the Influence of Peers- Agostino

Posted by: feedwordpress

 Agostino is a kid who never really grows up. In the beginning, I thought that Agostino was around the ages of 10-11 years old. I could picture this from how he envisioned his mother, so blessed by her presence and in awe of her beauty. He loved her like a child. He also was treated like a young child by his mother too, and the way he complained about her attention towards him and his jealousy made me think he was much younger than he actually was. Later in the book, we learn that he is 13 years old when he tells the man and his son on the boat ride. This book shows how much others' influence has on you. In the beginning, Agostino was a young, innocent, well-behaved boy who enjoyed his mother's company. After encountering the young boatman who "stole" his mother away from him, feelings of hatred, disgust, and jealousy arose within him. He could not fathom the idea of having to share his mother, especially let this man enjoy and indulge in her beauty that was only admired by him before in his mind. The young boys he met at a further down beach on his vacation changed his thoughts about women forever and himself. Agostino had no idea of his mother's relations, he saw her as a pure angel, and these boys crushed this image he looked up to instantly. Although his age or older, the boys knew more about women, power, and lustfulness. Agostino was still in his innocent age. He had not heard or even ever explored the ideas of these topics, which made his mind start to spin. These feelings confused with the image he had of his mother beforehand. He now saw her as a pleasure and a woman, not his mother. This shows us how Agostino has not grown up or matured even after learning about these "maturing" subjects. He cannot differentiate between the two and lets his feelings take over his actions he would have once considered inappropriate or looked down upon. The text shows us how unaccountable he is when he gives all his money away to his friend and is cheated by him. He put his trust into a boy he still barely knew and just accepted his words for truth without questioning anything. This once again proves that Agostino is still young and, although not as innocent, he is immature. 

My question I have after reading this text is...

Do you think if Agostino never met the boy in the cabin who brought him into the gang, that he would still have this innocence and see his mother for her motherhood and not a lustful woman? 



read full post >>
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A reflection of Laforet’s ‘Nada’

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This was an incredible book that, in my opinion, successfully portrays the unique impacts of war – specifically the Spanish civil war – on people and how they proceed with their lives following periods of vast conflict. Andrea’s family members have very distinct personalities that I believe have been heavily influenced by the atrocities they’ve […] read full post >>
Posted in: Blogs, Laforet

Agostino: A 13-Year-Old’s Coming of Age Story

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The uncomfortable and intimate relationship between a mother and son in Agostino felt similar to that of Swann’s way. Yet, Agostino’s desire for his mother was much more sexual.  To begin, I noticed there was a lot of language about bodies, particularly women’s bodies. This, in combination with the crying and nakedness of the body […] read full post >>
Posted in: Blogs, Moravia
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The Shrouded Women by Maria Luisa Bombel (1938)

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I really enjoyed reading The Shrouded Women (1938) by Maria Luisa Bombel mainly because it was entertaining and almost felt like a soap opera. Also because it’s interesting to read a novella where the main protagonist is already dead. The story begins with Ana Maria’s funeral where all her friends and family gather to say … read full post >>
Posted in: Blogs, Bombal
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Week 5 – Laforet’s “Nada”

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“Nada” has an apocalyptic, oppressive, and hungry atmosphere. Our narrator, Andrea describes her family members as “ghostly women” (pg 6), as “elongated and somber” (pg 7), as “perverse people” (pg9) and her uncle Juan’s face as a “skull” (pg 6). These characters all seem to be destroyed and hollow after the war. Even the house […] read full post >>
Posted in: Blogs, Laforet
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