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Soldiers of Salamis: A reflection
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Soldiers of Salamis by Javier Cercas
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Javier Cercas’ Soldiers of Salamis: The Significance of the Struggle for Freedom
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“Soldiers of Salamis” by Javier Cercas
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Soldiers of Salamis | Writing Styles, Rule of Four, and Ethics
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Cercas’s Soldiers of Salamis
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Reality and Fiction in “Soldiers of Salamis”
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Soldiers of Salamis, Cercas
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Soldiers of Salamis by Javier Cercas Blog Post.
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Soldiers of Salamis
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Cercas x Mazas In Soldiers of Salamis
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Thoughts on Cercas’s “Soldiers of Salamis”
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Week Eleven: Javier Cercas, Soldiers of Salamis
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This week, the assigned book was Soldiers of Salamis by Javier Cercas. To be completely honest, I started this book very confused. I wasn't quite sure whether or not this book was a work of fiction or a biographical re-telling of true events. After watching the lecture video and doing some googling, I finally understood that it was a sort of mix of both, a historical fiction about real people that existed and real events that happened. When I went into this book, I went in without much knowledge on the history of Spain and its civil war. This text kind of forced me to do some learning about Southern Europe in the 1900s to understand the context that lies behind this story.
As we near the end of this semester, I can see how there are a few major literary themes that have been consistently present in the texts that we read in the beginning, all the way to now. One of these major themes is memory and its significance in storytelling. From Proust, Paris Peasant, The Shrouded Woman, W or the Memory of Childhood to Soldiers of Salamis, the importance of memory is a recurring topic. In the first part of Soldiers of Salamis, the narrator, who is a journalist, attempts to hunt down the details of the story behind the escape of Sanchez Mazas from a firing squad. Throughout this hunt, he ends up meeting various people who are distantly connected to Sanchez Mazas. The narrator is always questioning the truth and the reliability of the accounts that are told to him. There is also one moment where he wonders whether the tales that people remember are what actually happened, or simply the memorized script that has become reality just out of having been recited so many times.
Here is a quote that I liked: "[...] I also decided that the book I'd write would not be a novel, but simply a true tale, a tale cut from the cloth of reality, concocted out of true events and characters, a tale centered on Sanchez Mazas and the firing squad and the circumstances leading up to and following it. This quote stood out because I think it represents a merge of the narrator's journalistic drive and desire to be a "real" writer. It summarizes his obsession with uncovering the true events and his desire to put it together into a written tale.
Here is my question for this week: Why was the narrator so intent on finding out the exact truth of this story?
read full post >>Week Eleven: Javier Cercas, Soldiers of Salamis
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This week, the assigned book was Soldiers of Salamis by Javier Cercas. To be completely honest, I started this book very confused. I wasn't quite sure whether or not this book was a work of fiction or a biographical re-telling of true events. After watching the lecture video and doing some googling, I finally understood that it was a sort of mix of both, a historical fiction about real people that existed and real events that happened. When I went into this book, I went in without much knowledge on the history of Spain and its civil war. This text kind of forced me to do some learning about Southern Europe in the 1900s to understand the context that lies behind this story.
As we near the end of this semester, I can see how there are a few major literary themes that have been consistently present in the texts that we read in the beginning, all the way to now. One of these major themes is memory and its significance in storytelling. From Proust, Paris Peasant, The Shrouded Woman, W or the Memory of Childhood to Soldiers of Salamis, the importance of memory is a recurring topic. In the first part of Soldiers of Salamis, the narrator, who is a journalist, attempts to hunt down the details of the story behind the escape of Sanchez Mazas from a firing squad. Throughout this hunt, he ends up meeting various people who are distantly connected to Sanchez Mazas. The narrator is always questioning the truth and the reliability of the accounts that are told to him. There is also one moment where he wonders whether the tales that people remember are what actually happened, or simply the memorized script that has become reality just out of having been recited so many times.
Here is a quote that I liked: "[...] I also decided that the book I'd write would not be a novel, but simply a true tale, a tale cut from the cloth of reality, concocted out of true events and characters, a tale centered on Sanchez Mazas and the firing squad and the circumstances leading up to and following it. This quote stood out because I think it represents a merge of the narrator's journalistic drive and desire to be a "real" writer. It summarizes his obsession with uncovering the true events and his desire to put it together into a written tale.
Here is my question for this week: Why was the narrator so intent on finding out the exact truth of this story?
read full post >>Javier Cercas, Soldiers of Salamis——week11
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This week I read Soldiers of Salamis, a novel in which the protagonist begins by expressing his unhappy life, with his father's death, the departure of his wife, and his having to give up his fiction career to become a journalist again. He later interviews Rafael Sanchez Ferlosio, who is giving a lecture at the university and tells the story of his father's confrontation with a firing squad. His father was shot in the Collell Sanctuary, escaped, was arrested in Barcelona, but took advantage of the chaos to hide in the forest before the arrival of Franco's troops and was found by a soldier who let him go. The journalist of this story was interested in Rafael Sanchez Mazas, and he began to collect stories about him, intentionally or unintentionally and decided to be the narrator of this story. The author of the novel is a seeker, not only in search of the details of the story and the forgotten hero but also in pursuit of his dream of becoming an author, which failed in its first attempt. Through these many searches, the author eventually reconstructs himself and a history that gradually becomes clearer.
The novel is divided into three parts, but the last part is, in my opinion, the climax of the whole story. In this part, the protagonist learns Miralles' account through an interview with Roberto Bolaño, giving the whole story a soul. As a witness of the civil war, Miralles saw young men who were once as passionate as he died on the battlefield, forgotten by the people and abandoned by the world. So in this section, the protagonist and Bolaño explore the theme of "heroes.
"I think there's almost always something blind, irrational, instinctive in a hero's behaviour, something that's in their nature and inescapable. Also, you can be a decent person for a whole lifetime, but you can't be awe-inspiring without a break, and that's why a hero is only a hero exceptionally."
Who is the real hero in this civil war? Perhaps in the eyes of Cercas, the author of this book, the legendary Mazas is not his favourite object, and the soldier who turned away may be the hero he most wanted to find. But after searching in vain, Cercas had to invent an epilogue in order to give the story a perfect ending: Miralles crossed the West-France border, joined the French resistance and attacked Germany with the Allies. At the end of the war, he lives in anonymity in a French sanatorium. Eventually, Cercas used the novel to do justice to the soldiers who died without a name.
Soldiers of Salamis celebrate the countless unsung heroes of war while at the same time provoking a redefinition of the word "hero" from a human perspective. My question for this book is: What is the definition of a hero in your eyes?
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