Prior to taking this course, I coincidentally watched HBO’s adaptation of ‘My Brilliant Friend’ as a TV series. I was admittedly slightly annoyed when I began to read this book because I never like to watch movies or shows based on novels before I have read the novel on which it is based. This is […]
Posted in Blogs | Tagged with friendship, Furrante, jealousy, love
Bonjour Tristesse by Sagan has so been my favourite text so far. I love how Sagan used characters we could relate to because of age and gender. The main character was a young girl raised by a single parent. At first, I initially thought that I would relate to this character because I am a young girl who also lost a parent and was raised by a single parent. However, her experience was catastrophically different from mine. Her father was very laid back, and my mother, who raised me, was much more like Anne in the story. My mother was rigorous and always wanted me to put school first before anything. If I put myself in Cecile’s situation, I can see how I would like to push Anne away to keep her hedonistic and chill lifestyle. My younger self always dreamed of having a life with no stress. Raymond, her father, definitely influenced her way of living and the idea of love. Her father had a mistress but also was going to marry Anne. Growing up as a young child, this would have affected her way of seeing and understanding love because we always get the first dose of love by watching how our parents love each other. A question I have is, would Cecile maybe have loved Cyril in the end if she didn’t grow up with her playboy, hedonistic father?
The way that Cecile schemed her plot to get Anne and her father to part their ways was shocking. I would never think she would use her lover to make her father jealous. This surprising plot intrigued me into reading and finding out what happens at the end. Cecile’s story and inner self-thoughts portray her as an immature, scared teenager for her future. As young university students, we can all relate to this, as we are coming of age just like Cecile in Bonjour Tristesse’s text. I can relate to her feelings of self-doubt and worries for the future. As a young student, I am worried about what will happen after I graduate and also just anxious about providing for myself and learning to be an adult and one day take care of my child and raise them. Growing up with someone like Anne has made me appreciate the skills I have learnt, and even though the “hedonistic” life is more pleasurable, I am more mature than Cecile because I was lucky to have a mother who cared about my success.
Posted in Blogs | Tagged with anxiety, betrayal, family, greif, guilt, hedonistic, jealousy, love, power
Bonjour Tristesse by Sagan has so been my favourite text so far. I love how Sagan used characters we could relate to because of age and gender. The main character was a young girl raised by a single parent. At first, I initially thought that I would relate to this character because I am a young girl who also lost a parent and was raised by a single parent. However, her experience was catastrophically different from mine. Her father was very laid back, and my mother, who raised me, was much more like Anne in the story. My mother was rigorous and always wanted me to put school first before anything. If I put myself in Cecile’s situation, I can see how I would like to push Anne away to keep her hedonistic and chill lifestyle. My younger self always dreamed of having a life with no stress. Raymond, her father, definitely influenced her way of living and the idea of love. Her father had a mistress but also was going to marry Anne. Growing up as a young child, this would have affected her way of seeing and understanding love because we always get the first dose of love by watching how our parents love each other. A question I have is, would Cecile maybe have loved Cyril in the end if she didn’t grow up with her playboy, hedonistic father?
The way that Cecile schemed her plot to get Anne and her father to part their ways was shocking. I would never think she would use her lover to make her father jealous. This surprising plot intrigued me into reading and finding out what happens at the end. Cecile’s story and inner self-thoughts portray her as an immature, scared teenager for her future. As young university students, we can all relate to this, as we are coming of age just like Cecile in Bonjour Tristesse’s text. I can relate to her feelings of self-doubt and worries for the future. As a young student, I am worried about what will happen after I graduate and also just anxious about providing for myself and learning to be an adult and one day take care of my child and raise them. Growing up with someone like Anne has made me appreciate the skills I have learnt, and even though the “hedonistic” life is more pleasurable, I am more mature than Cecile because I was lucky to have a mother who cared about my success.
Posted in Blogs | Tagged with anxiety, betrayal, family, greif, guilt, hedonistic, jealousy, love, power
Okay, so I finished reading Agostino, and I would definitely say that I have some mixed feelings about this novel (to say the least). It is absolutely a novel about coming of age, class, self-discovery, but has some other themes such as love, lust, brutality, and low-key incest. I particularly enjoyed how it was written; […]
Posted in Blogs, Moravia | Tagged with acceptance, beach, class, infatuation, Italy, jealousy, love, privilege, Weekly Book Blog
The Shrouded Woman by Maria Luisa Bombal has been my favourite of the books we have read so far. I certainly found it the most compelling, and recognised many of the themes that were going on.
I think the theme that most stood out to me was that of realisation. We as people tend to be our most sober around death, and you often hear people talking about their realisations of what really matters in life and how they want to live each passing day only after being confronted with mortality; be it their own or someone dear to them. Bombal manages to take this theme and subvert it by showing that while those who live are faced with hard-hitting realisations, so are the dead.
The regret of wasted time is one that we have all felt (I reckon it’s one of the most universal regrets), including Ana Maria. She is struck by this realisation when she is reunited with her first love, only to realise that they both loved each other despite all the years they’d been apart. Her cry of “Oh God, dear God! Must we die in order to know?” (p176) really hit home for me. At the time of writing, I have been fortunate enough to not have felt the impact of a death close to me. However, I have seen people I love be devastated by grief and the loss of someone dear. Death is a very taboo subject in many societies, which makes it difficult to talk about openly. This often causes it to be an “out of mind, out of sight” situation where people aren’t exposed to it until it happens, and the shock of it all can be very disorientating.
Beside death, a theme that is worth talking about is that of beauty. In this book, beauty can be lumped in with jealousy, insecurity, and the male gaze. Maria Griselda, the character known for being astonishingly beautiful. She reminds me a bit of Remedios the Beauty in Gabriel Garcia Marquez’ One Hundred Years of Solitude in that her beauty supposedly causes men to make bad decisions, and then she’s held accountable for things that she has no control over.
Maria Griselda’s beauty is also a source of suffering for the women in the novel, with Silvia eventually resorting to suicide because she was so jealous of this woman for sTeaLiNg hEr HusBanD; “I thought I was lovely until I met Maria Griselda. Maria Griselda is a hundred times more beautiful than I!” (p193). However, her beauty can never be held in isolation from other perspectives. All the suffering and emotions that are felt as a result of her appearance come from the male gaze. Be it men’s disloyalty to their wives, or women’s jealousy as a result of their inherent value as women being threatened, it all comes down to what men think. It is what it is I guess. Bombal puts it more eloquently than I do: “Why oh why must a woman’s nature be such that a man has always to be the pivot of her life?” (p226).
There’s so much more to discuss about this novel, since there are many rich themes. However, the question I pose is: Are emotions a good “reason to be”? If so, is hatred a bad one?
Posted in Blogs, Bombal | Tagged with beauty, death, gender, jealousy, male gaze, perspective, realisation, regret, taboo
The Shrouded Woman by Maria Luisa Bombal has been my favourite of the books we have read so far. I certainly found it the most compelling, and recognised many of the themes that were going on.
I think the theme that most stood out to me was that of realisation. We as people tend to be our most sober around death, and you often hear people talking about their realisations of what really matters in life and how they want to live each passing day only after being confronted with mortality; be it their own or someone dear to them. Bombal manages to take this theme and subvert it by showing that while those who live are faced with hard-hitting realisations, so are the dead.
The regret of wasted time is one that we have all felt (I reckon it’s one of the most universal regrets), including Ana Maria. She is struck by this realisation when she is reunited with her first love, only to realise that they both loved each other despite all the years they’d been apart. Her cry of “Oh God, dear God! Must we die in order to know?” (p176) really hit home for me. At the time of writing, I have been fortunate enough to not have felt the impact of a death close to me. However, I have seen people I love be devastated by grief and the loss of someone dear. Death is a very taboo subject in many societies, which makes it difficult to talk about openly. This often causes it to be an “out of mind, out of sight” situation where people aren’t exposed to it until it happens, and the shock of it all can be very disorientating.
Beside death, a theme that is worth talking about is that of beauty. In this book, beauty can be lumped in with jealousy, insecurity, and the male gaze. Maria Griselda, the character known for being astonishingly beautiful. She reminds me a bit of Remedios the Beauty in Gabriel Garcia Marquez’ One Hundred Years of Solitude in that her beauty supposedly causes men to make bad decisions, and then she’s held accountable for things that she has no control over.
Maria Griselda’s beauty is also a source of suffering for the women in the novel, with Silvia eventually resorting to suicide because she was so jealous of this woman for sTeaLiNg hEr HusBanD; “I thought I was lovely until I met Maria Griselda. Maria Griselda is a hundred times more beautiful than I!” (p193). However, her beauty can never be held in isolation from other perspectives. All the suffering and emotions that are felt as a result of her appearance come from the male gaze. Be it men’s disloyalty to their wives, or women’s jealousy as a result of their inherent value as women being threatened, it all comes down to what men think. It is what it is I guess. Bombal puts it more eloquently than I do: “Why oh why must a woman’s nature be such that a man has always to be the pivot of her life?” (p226).
There’s so much more to discuss about this novel, since there are many rich themes. However, the question I pose is: Are emotions a good “reason to be”? If so, is hatred a bad one?
Posted in Blogs, Bombal | Tagged with beauty, death, gender, jealousy, male gaze, perspective, realisation, regret, taboo
